ashtapati gita govind sanskrit documents

Jayadeva refuses trivial jobs and declares himself as a poet of par excellence, and he can portray ayam 'that' god in an innovative manner and in off the beaten track. As usual with any other poet, Jayadeva was also said to be a twiddler of his thumbs, and seeing this maternal uncle daunts him for not taking up any job or profession like any other The invocation is in next verse.Ī parable is said about this verse. This is the 'worm's eye view' of this poetic work, but not the invocation of deity of speech / poetics.

The banks of River Yamuna, are transcendentally exquisite. This way when Nanda instructed Rādha, both Rādha and Mādhava are on the go homeward, and then the happenstances of their sequestered plays of passion, on each pathway, at every tree, and in each and every arbour on 'hè! Rādha, clouds are thickening on the sky, black Tamaala trees blacken the woodlands, and night is also drawing nigh.

erōs, orĮpithymia, or philia not just love ] plays of passion jayanti= Praapaya= him, to home, see he reaches ittham nanda nideshitaH= this way, by Nanda, she who is instructed chalitayoH= while bothĪre on the go rāldhaa maadhavayoH = of both Rādha, Mādhava yamunaa kuule= on Yamuna, banks of prati= each, at each and every Īdhva= on pathway kunja drumam= in arbour, at tree rahaH kelayaH= sequestered, [Gr. Tamaala, trees vana bhuvaH = wood, lands shyaamaaH= are blackened naktam = night bhiiruH ayam= timorous, that one tat= thereby tvam eva= you, alone imam gR^iham Tiika/word order/meanings: hè raadhe= hey! Rādha ambaram meghaiH meduram = sky, with clouds, thick with tamaala drumaiH = with Poet Jayadeva wishing to portray the divine love of Rādha and Krishna in his immortal song giita govindam starts this with a benedictory verse that indicates the theme of his poetic work,Īs poets are required to start their poetic works with ashiish, namaskriya, or vastu nirdeshanam.

Ashtapati gita govind sanskrit documents